Jeremy Mann - American

Noon Down Leavenworth, Oil on Panel, 10 x 13 inches, 2008

This work successfully captures the haze obscuring objects in the distance. Tonal contrasts are much greater in the foreground.

Peter Simpson - Australian

It's often said that artists and galleries avoid green paintings. It's difficult to mix convincing greens. But I love the green in these pieces.

Randall Exon 1956-

Toward the Sea, 8 x 20 inches, oil on board


Cliffs Near Early's Farm

The canvases and boards sold in art supply shops are usually formatted to standard golden rectangles, but formats stretched in the horizontal can be more interesting, and better evoke the vastness of a landscape.

Jo Bertini - Australian

Dune Moon II, 45 x 45 cm

Desert Salt Farming

Simeon Walker - Australian

Rock Formation, Oil on linen 91 x 213 cm

Miracle on the Service Road

Weyden

Fleurieu Landscape Competition

Morgan Allender, Evensong Gordon River,
Oil on Linen, 137 x 168 cm


Chris Delpratt, Through Trees and Beyond,
Oil on Canvas, 95 x 112 cm

These two Australian works are nearly monochrome. Australian artists have been greatly influenced by Chinese and Japanese ink landscape paintings.