Showing posts with label contemporary. Show all posts
Showing posts with label contemporary. Show all posts

Tuesday, May 8, 2012

Philip Wolfhagen

Third Exaltation


The study of clouds was my first interest within the genre of landscape painting and every few years I return to the subject with renewed enthusiasm. Often I am driven by dissatisfaction with my earlier efforts, always striving for a more refined palette and a lighter touch.
Third exaltation is one of a series of five large cloud paintings from 2011. In this painting I have worked over a pale citrus yellow ground, concentrating on paring back tonality to its bare minimum and allowing colour temperature to define pictorial depth.
- Philip Wolfhagen, 2012
This large scale work (I think it's about 3 x 3 m) was a finalist in the Wynne Prize this year, perhaps the most prestigious landscape prize in Australia.
Using a warm orange or yellow ground lends vibrancy to the blues and greys in skies.

Saturday, October 31, 2009

Thursday, October 1, 2009

Daniel Pinkham - American






Use of square format gives a contemporary feel, and suits the abstract qualities in these works by the West Coast American painter Daniel Pinkham.

Sunday, August 2, 2009

Peter Simpson - Australian






It's often said that artists and galleries avoid green paintings. It's difficult to mix convincing greens. But I love the green in these pieces.

Monday, July 27, 2009

Sunday, June 28, 2009

Camilla Connolly - Australian


Cape York - Wall Drawing and Table, 62 x 102 cm

The warm colours, and combination of interior and landscape, are reminiscent of Bonnard.

Friday, May 8, 2009

Jill Kempson


Oil on marine plywood.

An Australian artist, Jill Kempson mentions on her website that she went to Europe to research old master techniques. She works on plywood. The disadvantage of large sheets of board, compared to canvas, is substantial weight, but some artists prefer a smooth surface to work on.

Sunday, April 19, 2009

Philip Wolfhagen - Australian 1963-


Night Beacon 2005, 200.6 x 210.4 cm

Ged Quinn - English 1963-


English, Darkening of the Green 2003-4

Quinn's large landscapes taken from Claude Lorrain, etc. register as old master paintings. On closer inspection they reveal details that refer to disquieting episodes from more recent history, here the plan of a controversial prison.

Friday, April 17, 2009

Thursday, November 6, 2008

Adriane Strampp - Australian, 1960 -


Oil on linen, 91 x 91 cm

There is a definite trend in contemporary landscape painting towards largish square canvases, bordering on abstraction.